Carved from stone. Lit by light. Alive with sound.
Loudspeakers in natural stone
The same idea.
Different ways of listening.
Loudspeakers cut from stone slabs chosen one by one and worked by hand. The stone is not a cladding: it is the loudspeaker. Each model comes from a different way of listening, and none of them is the best.
The range
The loudspeakers, and the one that frees them from the bass.
Vox Lucis
Noir series. A two-way in dark stone: the luminous ring around the tweeter and the line running down its side.
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Stele Lucis
White marble. A two-upright portal, a single full-range driver, light rising from the base.
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Basis Gravis 200
The dedicated subwoofer: sealed, in dark marble, downfiring. It takes the bass away from those who should not make it.
See it →The principle
Every vibration of the cabinet is music you did not ask for.
A wooden cabinet vibrates. Stone barely does: so dense, heavy and well damped that the cabinet's own vibration is reduced to a whisper. What you hear comes from the drivers, not from the box.
Everything else follows from that. If the cabinet has to be stone, then it may as well be that stone: the slab you chose, with a vein that will never repeat on another piece. A loudspeaker that behaves like a piece of furniture, because it is one.
The material
No two pieces are alike.
Marble cannot be printed. Every slab comes from a precise point of a precise quarry, and the vein it carries will never repeat. That is why there is no catalogue of models: there is a catalogue of stones.
From the Noir Saint Laurent of the first pieces — black with cream-coloured patches, never twice the same — to translucent onyx that lets the light pass through, every slab is chosen in the yard and worked by hand.
The light
Light does not decorate the stone. It reveals it.
A luminous ring runs around the tweeter; on the side, a vertical line travels the full height of the speaker. Lit, the object stops being a loudspeaker and becomes a presence in the room.
It is not an effect added later: the ring and the line are cut into the stone, and they are the same sign that makes up the brand mark.
Colour temperature 2700 K or 3000 K. On onyx, which is translucent, the light passes through the slab instead of running alongside it.
Where would you like to start
Two ways in.
For your home
Choose the outer stone, the contrasting core, the light and the feet. Watch the price build as you choose, and send us the configuration when it is yours.
Open the configurator →For your project
Technical drawings, 3D models, stone samples and a trade price list. For those who have to write it into a specification.
For architects →Featured — Vox Lucis
The engineering of Vox Lucis
Two ways, and nothing in between.
A 130 mm mid-woofer with a sliced paper cone and a 28 mm textile dome tweeter, joined by a passive filter hand-wired point to point, with components selected and matched pair by pair.
The tweeter is padded down to align with the woofer: a little sensitivity is lost and a linear response is gained. It is a choice, and it is the right one.
- System
- 2-way, bass reflex
- Nominal impedance
- 8 Ω
- Sensitivity
- 88 dB2.83 V / 1 m
- Frequency response
- 34 Hz – 22 kHz−6 dB, in room
- Power handling
- 65 W RMS
- Dimensions
- 55 × 21 × 27 cmheight × width × depth
- Weight
- 55 kgeach · 110 kg the pair
The next step
Start from the stone.
Choose the stone. We will tell you what it costs and how long it takes. No cart and no hurry: at this level you buy by talking to a person.